9 9. Glenn Hoddle (2001-2003) – 45 Games = 48.89 per cent win ratio 4. Martin Jol (2004-2007) – 56 Games = 58.93 per cent win ratio Tottenham Hotspur bid farewell to White Hart Lane on Sunday as they play their final game in the grand old stadium.Spurs will host Manchester United before paying homage to heroes past and present who have graced the turf.Former players and managers will take to the field for once last time to be lauded by the Tottenham faithful.Some gaffers did better than others at the stadium, and a fair few have walked its corridors in recent years too.So, during the Premier League era, which win ration in charge of Tottenham at White Hart Lane? Click the right arrow above to find out… 9 9 6. Andre Villas-Boas (2012-2013) – 27 = 51.85 per cent win ratio 7. George Graham (1998-2001) – 48 Games = 50 per cent win ratio 9 9 5. Ray Clemence and Doug Livermore (1992-1993) – 21 Games = 52.38 per cent win ratio 9 9 1. Tim Sherwood (2013-2014) – 11 Games = 72.73 per cent win ratio 3. Harry Redknapp (2008-2012) – 72 Games = 63.89 per cent win ratio 2. Mauricio Pochettino (2014 to Present) – 56 Games = 64.29 per cent win ratio 8. David Pleat (1998, 2001, and 2003-2004) – 20 Games = 50 per cent win ratio 9 9
mike melanson Tags:#news#NYT#web Only Wikipedia, the massively collaborative online encyclopedia, would want its users to know what’s on the other side of its logo…in three dimensions. For those of you who still doubt the ability of Wikipedia to get the facts straight, the latest update should be a case in point for exactly how things work when everyone gets a say about what’s wrong, what’s right and what’s somewhere in-between.Wikipedia announced a number of new changes last March, including a major redesign with the intention of getting even more users to join in on the creation and editing of content. According to Moka Pantages, spokesperson for the WikiMedia Foundation, the new logo and redesign is part of a broader initiative to increase participation and in turn the quality of the encyclopedia. “By lowering the barriers of participation and making the site easier to use,” Pantages said, “we hope this will also increase the diversity of contributors to all of our projects.” According to a blog post today by the Wikimedia Foundation, the now-familiar globe logo was found in 2003 in a logo design contest and the editing immediately began. As errors in the Wikipedia logo were found by users, it was slowly touched up. A year ago, the effort began “to resolve some minor typographic errors found by our volunteers, and to develop a high-resolution version with gradient qualities (it is a sphere, after all) that could be used in a variety of new settings. It was a perfect opportunity to build a new model that would be completely 3D in its design.” This effort would involve determining what would be on those 52 other, yet unseen puzzle pieces.The new logo incorporates a number of languages, though no longer Klingon, and now uses an open-source Linux Libertine typeface, in order to make the Wikipedia wordmark recreateable in hundreds of localized editions.And for those of you who are curious about how this all happens, just take a a look at this one page of discussion to get a glimpse of what’s going on in the background of what looks to most like a neat and orderly product. This is how the new logo was born, with proposals and votes and more proposals and histories of prior votes and…it could make you dizzy if it weren’t all so organized and, well, encyclopedic. And as the new logo looks to replace the old, the discussion has already begun over what could be done for the next incarnation. Related Posts A Web Developer’s New Best Friend is the AI Wai… 8 Best WordPress Hosting Solutions on the Market Why Tech Companies Need Simpler Terms of Servic… Top Reasons to Go With Managed WordPress Hosting
Punjab Chief Minister Amarinder Singh on Monday said the remark made by Haryana Chief Minister Manohar Lal Khattar about ‘namaz’ (prayer) showed that the BJP was trying to communalise the atmosphere in the country.“India was a Republic governed by a Constitution and neither Mr. Khattar nor anyone else had the right to dictate to people on where they should or should not hold prayers,” said Capt. Singh here. “The BJP seemed to be out to polarise the society on religious lines to garner votes,” he said. Mr. Khattar had on Sunday said ‘namaz’ should be offered in mosques or Eidgahs instead of public places. Reacting to the transfer of Kathua rape-murder case to Pathankot, on the direction of the Supreme Court, Capt. Singh said his government would ensure full security for the victim’s family, lawyer and others during the trial. “Our government was committed to upholding the judicial process as per the apex court’s directives,” he said.
Chelsea Conte shrugs aside Hazard to Man United rumours Harry West 23:33 12/21/17 FacebookTwitterRedditcopy Comments(0) Getty Images Chelsea Manchester United Antonio Conte Eden Hazard Everton v Chelsea Premier League The Chelsea manager insists that he is paying no mind to reports linking the Belgium international with Old Trafford Chelsea head coach Antonio Conte has played down recent speculation linking Eden Hazard with a sensational £90 million move to Manchester United.Some news outlets have suggested United boss Jose Mourinho could be set to raid his former club for the Belgium star, who has reportedly turned down the offer of a new deal at Stamford Bridge.With the January transfer window fast approaching, Conte was quick to brush off such conjecture as part of the traditional media storm that surrounds the mid-season market. Article continues below Editors’ Picks Lyon treble & England heartbreak: The full story behind Lucy Bronze’s dramatic 2019 Liverpool v Man City is now the league’s biggest rivalry and the bitterness is growing Megan Rapinoe: Born & brilliant in the U.S.A. A Liverpool legend in the making: Behind Virgil van Dijk’s remarkable rise to world’s best player As well as being questioned on the subject of Hazard, Conte was asked about the futures of David Luiz and Kenedy – supposed targets for Arsenal and Newcastle United respectively.”A difficult period is starting for every club and coach because there are a lot of rumours, some are true and some are wrong,” he told a media conference ahead of Saturday’s Premier League clash against an Everton side resurgent under Sam Allardyce.”We must be ready to face this situation. The best way for me is don’t read [the reports] and only chat with the club and then try to improve our squad if this is possible.”We must be ready to face these rumours but at the same time focus to play and go game by game because we have to play every three days and it’s not right for these rumours to disturb us.Conte says there are a lot of rumours at this time of year and he prefers not to pay attention to them. He says his players must be focused on the football during this busy period.— Chelsea FC (@ChelseaFC) December 21, 2017″There are a lot of rumours and we have to live with these. For sure my players are very focused on this period. We don’t listen to these rumours, because a lot of these are not true.”On Chelsea potentially adding to their squad in January, Conte played his cards similarly close to his chest.”I prefer to talk with the club, to try and find the best solution together,” he said. “If there is the possibility to improve the squad I think it will be a good choice.”I’m enjoying being with these players and I’m ready to continue to play with all these players. At the same time if there is the possibility to improve our squad I think the club will try to do this.”
TagsTransfersAbout the authorPaul VegasShare the loveHave your say Man Utd boss Solskjaer: We’re planning for January and summer windowsby Paul Vegas7 days agoSend to a friendShare the loveManchester United boss Ole Gunnar Solskjaer has confirmed they have plans for the January market.Solskjaer’s side have endured the club’s worst start to a season in 30 years, but executive vice-chairman Ed Woodward has reiterated his support of the under-fire manager.”I speak to Ed loads of times and we speak regularly,” Solskjaer said. “As we’ve spoken about so many times, we do have a plan and we know that we’ve made some decisions that maybe in the short-term would harm us, but we know in the long-term will benefit us. And that’s part of the plan.”But results are always are always the main thing and we can move forward quicker if we get results and performances.”But I’m sure we will get there. It’s just still planning for the next transfer window, summer transfer window and how we see the team moving forward.”
LEAVE A REPLY Cancel replyLog in to leave a comment “We are delighted to offer Canadian audiences the opportunity to experience a wide range of paintings and sculptures by one of the world’s most influential and visionary artists,” says Kathleen S. Bartels, Director of the Vancouver Art Gallery. “In tracing Takashi Murakami’s development as an artist over the course of three decades, The Octopus Eats Its Own Leg draws attention to some of the major themes and cultural conditions that have shaped his artistic practice. We can’t wait to welcome countless visitors from Vancouver and beyond to this monumental exhibition, and for the general public to experience his work every time they pass by our Georgia Street facade.”The exhibition opens with Murakami’s early paintings from the 1980s that synthesize traditional Nihonga-style painting techniques and formats with contemporary subject matter, and goes on to trace the artist’s shift in the 1990s toward a distinctive, anime-influenced style known as Superflat. From his signature animated flowers to the iconic character Mr. DOB, a mouse-like figure that serves as part- ambassador and part self-portrait, the works in the show offer an in-depth look at Murakami’s unique Superflat universe.The exhibition also features works from a recent body of paintings depicting groups of wizened Buddhist monks (Arhats), including the ten-panel 100 Arhats (2013), an ambitious work of stunning intricacy and craftsmanship. A departure from the commercial pop aesthetic that first garnered him popular acclaim, the Arhat works mark Murakami’s return to his training in traditional Japanese painting in order to find a response to the suffering caused by the massive earthquake and tsunami in Fukushima, Japan in 2011 that killed more than 15,000 people.“The Octopus Eats Its Own Leg highlights Takashi Murakami’s dedication to exquisite craftsmanship as well as his boundless imagination moving freely within an ever-expanding field of aesthetic decisions and cultural inspiration, from Buddhist folk traditions to art history to popular culture,” says Bruce Grenville, senior curator. “This wide-ranging exhibition offers a serious engagement on issues affecting Japan and the larger world today, from media culture to globalization to the threats of nuclear power.”Takashi Murakami: The Octopus Eats Its Own Leg is organized by the Museum of Contemporary Art Chicago and is curated by MCA Chief Curator Michael Darling.About Takashi MurakamiTakashi Murakami was born in 1962 in Tokyo, Japan. He studied at Tokyo University of the Arts, Japan, where he received his BFA in 1986, his MFA in 1988, and his Ph.D. in 1993. He is the founder of the art production and management company Kaikai Kiki, which evolved from its predecessor, the Hiropon Factory founded in 1996.Murakami is well known for his high-profile projects with brands such as Louis Vuitton, VANS, shu uemura, Issey Miyake, Lucien Pellat-Finet, Roppongi Hills and ComplexCon, as well as collaborations with musicians such as Kanye West and Pharrell Williams. In 2008, he was selected as one of TIME magazine’s “The 100 Most Influential People.” From 2003, he was included in ArtReview‘s Power 100 for ten consecutive years. He has also been engaged in a wide range of artistic undertakings such as curating exhibitions and collecting art and other curiosities for his personal collection. Between 2002 and 2014, he regularly organized “GEISAI,” a project intended to discover and nurture young artists from Japan and Taiwan. In all, approximately 20,000 artists participated in these projects. In response to the 2011 Tohoku Earthquake, he launched New Day, a charity initiative that carries out art auctions and other activities to help Japan recover from natural disasters.Murakami has also ventured into film and animation productions, releasing his first live-action feature film Jellyfish Eyes in 2013. He is currently working on the sequel of Jellyfish Eyes as well as an animated television series, 6HP (Six Hearts Princess).Advanced tickets can be purchased here: murakami.vanartgallery.bc.caMajor Sponsors: Brian and Andrea HillSupporting Sponsor: Coromandel PropertiesAdditional Support: Chan Family FoundationGenerous support for Murakami’s Georgia Street Façade project: Artworkers Retirement SocietyAt the Museum of Contemporary Art Chicago, the exhibition was supported by: Lead support provided by Kenneth C. Griffin, Helen and Sam Zell, Anne L. Kaplan, Cari and Michael Sacks, Galerie Perrotin, Stefan Edlis and Gael Neeson, Gagosian, Andrea and Jim Gordon, and Susan Gaspari-Forest and Robert Forest.Major support provided by Blum & Poe and Liz and Eric Lefkofsky.Generous support provided by The Bluhm Family Foundation, the National Endowment for the Arts, The Eli and Edythe Broad Foundation, Jennifer and Alec Litowitz, Kaikai Kiki Co., Ltd., Matt Bayer and Joyce Yaung and the Bayer Family Foundation, The Japan Foundation, Robert J. Buford, Marilyn and Larry Fields, Nancy Lerner Frej and David Frej, and Dana and Brian L. Newman.Exhibition-Related Public Programs + Events Lecture with Takashi MurakamiWhen: Wednesday, January 31, 7:00 p.m.Where: Simon Fraser University, Djavad Mowafaghian Cinema, Goldcorp Centre for the ArtsThis lecture with renowned artist Takashi Murakami examines his ever-shifting and always evolving interests. Conceived in dialogue with Takashi Murakami: The Octopus Eats Its Own Leg, this lecture will examine his ongoing research-based practice through a series of interlocking ideas. Working across disciplines — from painting and sculpture, to anime and fashion — Murakami has created works that effectively blur the boundaries between vernacular and fine art, eastern and western philosophies and aesthetics and politics. By reflecting on his thirty years of making, including working with collaborators as diverse as Louis Vuitton and Kanye West, Murakami will propose different means for engaging with history and shaping the future through the specific lens of an artistic practice.Tickets can be purchased here.Murakami’s Birthday Bash and After PartyWhen: Friday, February 2, 5:30 p.m., 10:00 p.m. for the After-PartyWhere: Vancouver Art Gallery (750 Hornby Street) and The Commodore Ballroom (868 Granville Street)This special evening will celebrate Takashi Murakami’s birthday and the opening of his first retrospective exhibition in Canada, Takashi Murakami: The Octopus Eats Its Own Leg. The evening will begin at the Vancouver Art Gallery with an exclusive exhibition preview with the artist, followed by a seated dinner at the Commodore Ballroom, and an after-party headlined by Grammy Award-winning DJ Mix Master Mike. Proceeds from this event support the Vancouver Art Gallery’s exhibitions and education and public programs.Tickets can be purchased here. VANCOUVER, British Columbia — The Vancouver Art Gallery is excited to kick off its spring season with Takashi Murakami: The Octopus Eats Its Own Leg (February 3 – May 6, 2018), the first- ever major retrospective of Takashi Murakami’s work in Canada.Featuring over 55 impressive paintings and sculptures, Takashi Murakami: The Octopus Eats Its Own Leg offers an in-depth survey of the evolution of Murakami’s paintings from the 1980s to the present, while highlighting the artist’s role as a committed and often conflicted cultural commentator. Spanning three decades from his earliest mature work to his recent large-scale creations, this extraordinary exhibition will include a recently produced five-metre tall sculpture and two specially created multi-panel paintings.For Murakami, connecting with his audience and allowing his artwork to be accessible to the general public are integral aspects of what he stands for as an artist. Murakami has created a new major public art project featuring a skull surrounded by octopus tentacles which will cover the Gallery’s Georgia Street façade, extending the exhibition outside the traditional confines of the Gallery space. Advertisement Facebook The Octopus Eats Its Own Leg (PRNewsfoto/The Vancouver Art Gallery) Advertisement Login/Register With: Advertisement Twitter
Companies in this story: (TSX:SU)The Canadian Press CALGARY — Suncor Energy Inc. is planning to grow production by about 10 per cent, even after Alberta’s mandatory production curtailments.The company says it expects average upstream production of 780,000 to 820,000 barrels of oil equivalent per day, up from about 730,000 boepd this year.Suncor says its guidance assumes the curtailments are in place for three months before falling to 30 per cent of initial levels for the remainder of 2019, in line with the provincial announcement.The production guidance came as Suncor says it is planning between $4.9 billion and $5.6 billion in capital spending next year, roughly in line with this year.The Alberta government has announced a mandatory cut to oil production which amounts to 8.7 per cent of overall output in a bid to reduce a glut of oil and help boost low prices.Western Canadian crude had been trading at a steep discount to the North American benchmark prices, however that gap has narrowed since the Alberta announcement.
If his Spurs win Wednesday, Gregg Popovich will reach a coaching milestone: 1,150 career wins. Or, if you look at it another (admittedly kookier) way, he could record his 23,787th win.Popovich reached a different sort of milestone Monday: his 1,000th career regular-season win as head coach. Although several NBA players, including LeBron James, congratulated him on the achievement, Pop’s reaction was subdued. Perhaps that’s because he remembers that he really won his 1,000th game more than two years ago — on Jan. 25, 2013, against Dallas. That night, he won his 882nd regular-season game, to go with 118 playoff wins to that point — although coverage of the game suggests that few did the arithmetic at the time. (An ill Popovich wasn’t even there to celebrate, although the game still counts in his ledger because he remained the team’s head coach.)The standard across most North American professional team sports is to omit playoff accomplishments from career totals even though postseason performance is much more important than regular-season feats for winning titles.1College stats typically include postseason numbers. The typical reason given for doing this with player stats is that players can’t choose their teammates. Charles Barkley isn’t any less great for not winning a title — it says more about his teams. It’s not Ernie Banks‘s fault that he didn’t make the playoffs, so he shouldn’t fall behind Gary Sheffield on the career home-run list. Or so the thinking goes.Even if that argument holds for players, though, it’s a lot shakier for coaches. The whole notion of counting their wins, and celebrating when that count reaches a nice round number, implicitly credits the coaches for the sum of their players’ accomplishments (however flawed that idea is; in Popovich’s case, it does seem like he deserves quite a bit of credit). If coaches get the credit for regular-season wins, then surely they should also get credit for the postseason wins those regular-season wins make possible. By that math, Popovich falls a bit further behind Phil Jackson and Pat Riley, the two other most successful coaches in modern NBA history; each has more playoff wins than Popovich’s 149, earned along the way to five titles.If we’ve convinced you that playoff wins should count toward a coach’s career total, then perhaps you’ll walk with us a little further down this plank. Surely playoff wins shouldn’t only count alongside regular-season wins but should count more than them. Most NBA executives, coaches and players would agree — and perhaps few would agree more than Popovich, whose reputed coaching style is to use the first half of the regular season to test lineups and try out new players, rather than, say, to win as many games as possible.So just how much more should a playoff win count? A whole lot more, by our calculations. For every playoff game since 1984, we calculated how much that game’s outcome swung the teams’ chances of winning the title, relative to an average regular-season game.2Similar to what we did for our post about Tom Brady’s accomplishments, we used the number of teams in the NBA each season, the number of playoff teams and the length of the schedule to determine how much the average regular-season game changed an average team’s championship probability. For instance, in 2013-14, there were 30 NBA teams, so each started with a 1-in-30 — or 3.3 percent — chance of winning the title. After the regular season, 16 teams’ chances rose to 1-in-16 (6.3 percent) and 14 teams’ odds fell to zero. That means the average NBA game last season moved a team’s championship needle either up or down by just 0.04 percentage points. So, for instance, Game 3 of last June’s NBA Finals counted as much as about 487 regular-season games in terms of championship impact, while Game 4 of Miami’s sweep of Charlotte was worth just 15 regular-season games.Add up the regular-season value of Popovich’s playoff wins, and you’ll find that they were worth 22,786 regular-season wins — or nearly 23 times as much as the sum total of his 1,000 regular-season wins. That’s pretty impressive, but he and his players have some work to do to catch Jackson and Riley, who top all coaches whose first playoff appearance was in or after the 1984 postseason. We don’t really mean that Popovich has won 23,786 regular-season games. It would be just as accurate to say that in the regular season, he has won 6.5 playoff games since his average playoff win counted for about 150 regular-season wins. A playoff win isn’t the same as a regular-season win, but that’s not a good enough reason not to include them when summing and assessing a coach’s accomplishments. These calculations show just how much of a coach’s value comes after his wins stop counting. The regular-season wins reflect a coach’s longevity. (“The time, that’s the most important element,” Popovich said Monday. “You have to be around for a while, I guess.”) The playoff wins reflect his true value — and that of his players. Phil Jackson1,15545,59246,747 Pat Riley1,21031,43032,640 Chuck Daly63813,76114,399 George Karl1,1319,09410,225 COACHREGULARSEASON WINSPLAYOFF WINS(REG SEASONEQUIVALENT)TOTAL Doc Rivers67810,42511,103 Erik Spoelstra33612,69213,028 Rick Adelman1,0429,68110,723 Gregg Popovich1,00022,78623,786 Rudy Tomjanovich52710,34510,872
The Ohio State men’s and women’s cross country teams both finished in the top half of the field at the Notre Dame Invitational on Friday. Running in South Bend, Ind., the men placed 12th out of 26 teams in the 8K race and the women took 13th place in a 28-team field 5K race on Sept. 30. While both team’s coaches said they are happy with their teams’ performances, they believe the results could have been better. The men, led by junior Donny Roys, who finished 24th with a time of 24:44, saw their top runner, senior Jake Edwards, not finish. Edwards had a hamstring spasm and dropped around the four-mile mark of a five-mile race. “We were really high up there through three miles. And then Jake dropped out. That’s a 70, 75-point swing,” men’s coach Robert Gary said. “You know, I’m a little disappointed, but it shows that we’re a pretty solid team.” The men finished with a total score of 326, ahead of Penn State who had 343 points in 14th place. When Edwards dropped out, he was in the top 30 of 175 runners. OSU’s fifth runner, senior Adam Green, ran a 25:28 and finished 96th. Senior Jordan Jennewine finished first for the women in 37th with a 17:42. The women had a total score of 366, behind Big Ten foe Penn State who finished in fourth place. Women’s assistant coach Chris Neal said he thought the team ran well at the beginning of the race but didn’t have a strong second mile. “The big thing for us was getting out fast and I think through the mile, we had six girls in the top forty. After that we kind of fell apart,” Neal said. “We just have to clean up the middle of our effort and we’ll be where we want to be.” Both teams were running against highly ranked competition. The No.25-ranked men’s team ran against seven top-30 opponents, including No. 3 Stanford and No. 10 Florida State. The women competed against six top-30 teams. The Big Ten championship meet on Oct. 30 is now less than a month away. Jennewine, the women’s number one runner, said her team needs to run well as a pack. “I’d say as a team our strength has been that we can all bunch together and finish close with a short spread,” Jennewine said. “I think we need to just move the pack up.” A top-three finish is in sight for both teams at the Big Ten championship meet. “I think Wisconsin and Indiana are probably a step ahead of the rest of the conference,” Gary said. “I think there are probably three or four schools, Minnesota, Penn State, who we beat today, and probably Illinois. I think those three teams plus ourselves are fighting for third place.” Neal said Michigan is the team to beat in the women’s conference, but believes a top-three finish is in reach for the Buckeyes. “I think with Penn State, us, Minnesota and Iowa, it’s just going to be one of those years where on a good day you can be third but on a bad day you’re sitting in eighth,” Neal said. Both teams are confident heading into the thick of the season. “I think we’re right on track to get into the top three at the Big Ten championships,” Roys said of the men. “We’re stronger than last year so we’re getting out. I think we’re right on pace right now.” Jennewine likes how her team is improving as the season goes on. “I think we’re definitely moving forward and getting better each week,” she said. The men and women will take a week off from competition and then travel to Wisconsin for the Wisconsin Adidas Invitational on Oct. 14.
Antoine Griezmann’s situation has been very unclear lately but the Frenchman insisted that he hasn’t held any talks with Barcelona but wants to decide before the World Cup over his future.The Atletico attacker has been heavily linked with a possible move to Barcelona but he denied that he has been holding talks with the Catalonian side – but he admitted that he may leave at the end of the season.The former Real Sociedad striker spoke about his future as he said, according to Goal:“I don’t know where you get this information, but it is false.”Fati and Suarez shine against Valencia at Camp Nou Tomás Pavel Ibarra Meda – September 15, 2019 With a mesmerizing first half from Ansu Fati and a brace from Luis Suarez in the second half, Barcelona demolished Valencia at Camp Nou.Valencia…“I want to be free and think only about the French team.”“I would like my future to be settled before the World Cup, otherwise, afterwards, we will have questions to the right and the left. I will continue as I am now, giving everything to the club.”“I had a difficult start to the season for several reasons. I expressed things wrongly and made mistakes.”